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| low fat, gabrels, soft, macs, funny hats, good, ezboard, the, merscom, archer, hex, jackson, bridge, make, vegas, anima, nutrition information, weapon, wild, ellison, potter, duo, subway, | Focus, Baby, Focus Moving back to "focus." The cool factor of this power would be significantly greater had we all not first already played Max Payne; essentially, first you hit shift and time slows down. When you're "focused" you tend to be better at things than when you're not; first your attacks do more damage, you shoot more accurately, and of course you can run around on the walls and perform some of the more amazing wire acts we remember from the films. Like Bullet Time, focus exists in limited quantity and replenishes slowly. There is almost always ample focus available for quick use (I, at least, tended to use it in very short spurts), but once again the uncooperative camera and simplistic controls makes mastery of focus very difficult. The camera's unpredictability is comparable to the unpredictability of how you behave near surfaces such as walls or crates. |
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| Since both Niobe and potter Ghost are motion-captured, the combat engine works hard to make all hand-to-hand encounters look very cool—it never seems like you're repeating the same move over and over again, even though in point of fact that's exactly what you're doing. Left mouse is punch. Right mouse potter is kick. Hand-to-hand combat is just a lot of clicking. As mentioned above, Enter the Matrix will endure a lot potter of comparisons to two games: Oni and Max Payne. The hand-to-hand combat in this game is much simpler than the complex, multi-button combos of Oni; falling into the category of "minutes to learn, a lifetime to master." Yet despite Oni's occasionally ridiculously complex fighting moves, its camera and controls are sufficiently tight to limit the frustration factor. The clickfest that is hand-to-hand combat in Enter the Matrix makes you feel like you're watching the game, not playing it. |
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