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| gabriel, kid, run, mirror, stories, laweight loss, basco, fatchicks in party hats, throttle, lewinsky, steve, blogging, wrath, rpg's, buka, milo, her, 3, dos, delta, console, line, knight, tail, | Unreal is an amazingly versatile engine—actually it's more of a complete game-development environment than a 3D renderer—but it may not have been the best choice for SWAT 4. The fact is Unreal 2.0 is getting a bit long in the tooth. Graphics in SWAT 4 aren't exactly subpar, but they're noticeably inferior to web site review some alternatives. Minor tearing, seaming, and collision problems plus modest web site review polygon counts contribute to the vague but persistent sense that SWAT 4 would have been a lot better if it had used Half Life 2's Source engine. Add to this web site review the very peculiar decision to implement only token Havok physics and you have a game that manages to simultaneously seem both modern and dated. Meanwhile, the sound is awesome, and the chief reason for its awesomeness is the extraordinary talent of Eric Brosius, who joined Irrational after Looking Glass fell apart in 2000. |
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| and yet there it is. Irrational is not blogging lacking in the creative department, licensed franchises or no. The nation's Special Weapons and Tactics units are the ones who deal with truly deadly police encounters, and in SWAT 4 you get to command a team (called an element) of blogging the best, making the city safe for taxpayers one barricaded psycho at a time. SWAT 4 does a very good job of making you think and act like a SWAT cop—working in extraordinarily dangerous conditions with blogging highly unpredictable opponents, helpless innocents, and exactly zero margin for error. Overall, this is another success for Irrational, with just a few problems marring an otherwise top-notch shooter. Keepin' it Real SWAT 4 and Tribes Vengeance both use versions of the Unreal engine, apparently sufficiently modified by Irrational to warrant a new "Vengeance Technology" moniker. |
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