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Best Fat Paysites
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| herinteractive, upn, moblog, cube, lard, seafood, dungeon, photosharing, point, jean, simon, rent, doom, the wind waker, ripper, john, entrees phase 2, nintendo, tong, ghost, third, | There's a strange lack of interactivity in Jack the Ripper. Though you large wander through some spiffy-looking environments, you can do next to nothing with them. This is a pity, because the visuals of the 1901 Low Side Manhattan were excellent. Rendered mostly in browns and taupes, with just hints of primary large reds and blues, they have a real power. There are garbage and clutter and distressed walls and squeaking rats and laundry flapping on lines. |
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| Jack the Ripper wasn't supposed to be funny, obviously. Still, bits of humor, like a pinch of seasoning, can make the most sober game more tasty, making the horror more horrific, the darkness darker. For another, the exchanges often seemed flat, and at times the characters' conversations sounded almost tone-deaf, as when, after whiny, nintendo clueless James Palmer has inadvertently helped to bring down a local gang, a nintendo young prostitute gushingly refers to him as her Dark Angel. Now this could (and probably should) have been played for laughs, but it wasn't. When another character, a nintendo sports writer, bemoans the fact that a pickpocket has swiped his World Series opener ticket, James doesn't even register what should have been at least a minor emotional beat. This isn't a throwaway line—it is there for a reason—but James just forges ahead with whatever it was he is talking about, ignoring his friend's distress. Stuff like this adds up, eventually dragging the tone down and dulling what little luster this game started out with. |
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