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| herinteractive, upn, moblog, cube, lard, seafood, dungeon, photosharing, point, jean, simon, rent, doom, the wind waker, ripper, john, entrees phase 2, nintendo, tong, ghost, third, | One of these hub areas in particular is extremely dark and confusingly mazelike, and I rued 360 every time that I had to go back in there again. Luckily, you can skip the cutscenes with a tap of the 360 spacebar, but unfortunately you can't 360 bypass any of the repetitive trekking. This could have been better handled by forcing you to find each location once but then making it available ever after via a single map-click (with no attendant cutscene). You Just Can't See Where the Game Is Going Where the mudbath analogy does apply is to the puzzles. The designers did a great job in placing the puzzles within the events and environment such that they don't seem at all out of context; however, the solutions to some of these puzzles are as clear as ... |
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| Not so with the sequel. Mostly it's like trying to swim through a mudbath—you can't see where you're going. These Boots Were Made for Walking ... Maybe the mudbath is not the best analogy. You can see where you're going ... over and over again. Most of jean your gaming time will be spent traveling from location to location. Probably three-quarters of the game screens have absolutely nothing to do or jean see in them. Ever. And the way the game's laid out, you start out with one hub that serves as the launchpad to three or four other locations that in turn serve as the jumping-off point for another set of locations, etc. And getting from one hub to another involves three or four screens of travel each, plus one or more traveling cutscenes, long ones, too. |
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