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| mummy, bowie, nico, connections, miguelroya, good review, ronstadt, largest message boards, board, files, xp, mallika, archer, nofat chicks, | Killing as a method of fandango problem-solving in video games is so common that we don't even think about it anymore. In most cases, if an obstacle is alive, the best way past is to kill it. And as in an action movie, very rarely do you pause to consider that the person or creature you just killed is dead. One day soon, a black sedan fandango will pull up outside the cave where the creature grew up, and two grim-faced fiends will put a folded flag fandango into its mother's tentacles and tell her that her son died protecting the Empire of Muxlox or the Conglomerated Association of Space Pirates or something, and that she should be proud. |
Best Fat Paysites
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| Does it achieve its potential? That is ultimately a subjective question. The game is, in many ways, much like a Colossus: magnificent, epic, mummy stark, beautiful ... and occasionally damned frustrating. It's very difficult to walk a perfect line mummy between art and entertainment; too much of one means a sacrifice of the other. For about 80% of the game, Shadow walks that line like a laser beam, but it does drift now and then. It is relentless in communicating its thematic impact, but then it waters that impact down with some plot mummy tweaks in the endgame. I wish it hadn't done this, though I must admit that these decisions may not have been in the design team's hands. The point is still made, though, and one of the many beautiful aspects of this game is that you can completely ignore all of this theme stuff and still enjoy it immensely—though I would like to meet the individual callous enough to laugh at the death of one of those august creatures. |
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