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| fritz, gold, crpg, cate archer, arrival, harlan, amber, schizm, francisco, philosopher, good web site, funny hats, entertainment, | All that bad stuff said, Battle out of Hell looks great, with sweepingly artsy level design and nearly as much atmosphere as its predecessor. Environments run the gamut, alternately dark and light, grim and weirdly cheerful, open and claustrophobic. Despite x box the relative gloom of the game concept, both Painkiller and Battle out of Hell aren't afraid to use bright, vivid colors and beautiful locales to further underscore the quality of their art direction, which is very consciously x box geared toward communicating their view of the afterlife to the player. x box It's another point in favor of the studio's incredible artistic talent. There really never was much to say about the audio in Painkiller. It's "fine," which is to say that you're never really aware of it. |
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| Cloth effects are similarly reduced, in the cinematics and engine alike. Flapping textiles make for a cool visual, and they're essentially gone from this game. Furthermore, they did something weird to Daniel's face. He was never going to win the Brad Pitt Memorial Stud Award, but in Battle out of Hell he's been saddled with a twisted grimace that demotes him from funny hats homely to downright ugly. It's a constant sneer funny hats that suggests funny hats he's smelling something foul and is very, very angry about it. Alastor, too, is notably different and worse looking. This isn't a Max Payne kind of "we got a better model" switch, it's bad art. Another negative is the fact that the engine's performance is diminished, despite no obvious improvements to overall technology. In the time between Painkiller and Battle out of Hell, I've upgraded from an Athlon 2800+/512 MB/Radeon 9700 to an Athlon 64 3800+/1 GB/Radeon X700. While the old machine could play Painkiller at 1600×1200 with all effects maxed out, Battle out of Hell crawls at that resolution on my new computer. |
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