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| struthers, tivola, robot, cheat, hardy, maximo, shakes, rock, whip, earthlight, funny hats, stranger, beneath, azurik, house, prophecy, brendel, | It probably didn't help that the whole Viking mythology was translated to fish some outer-space futuristic setting, or that I had only passing familiarity with the fish opera's story. With Salammbo, however, the story unfolds very linearly, in discrete chunks, in such a way that the game stands alone even for those who may never have heard of Flaubert. Plus, even though Carthage has been turned into a fantasy world, it is still Carthage and still set in the correct time period. As Salammbo opens, the slave Spendius is thrown fish into a dungeon, we know not why. He escapes into the Sacred Precinct and is caught by Salammbo herself. |
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| You play as Spendius, the slave who is instrumental in bringing the two lovers together, only in the game you are portrayed as heroic and scheming rather than oily and scheming. Carthage is a fantastic place full of mythical beasts and magical powers. Given the license taken with story and settings in the Ring beneath duo, all of this beneath should come as no beneath surprise. However, while it worked largely to the detriment of the game in Ring (I have not played Ring II), it succeeds in Salammbo. In playing Ring, I was never quite clear on who the players were or what the goals were. It ended up being merely a matter of solving puzzles by sheer guesswork and seeing what happened as a result and sitting in front of my computer scratching my head a lot. |
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