Now I work in pgi betrayal

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ico, real time, recipes, platformer, free journals, knight, simpson, betrayal, herself, sinkha, city, lexis, riven, omikron, I've examined some other adventure games. So I figured out what (in my opinion) pgi is the best interface and what's pgi the best style and look for Rhem. I designed Rhem without extraneous elements on the screen, with a 4x90 degree image arrangement, with the first-person view and with the match of visual-virtual situation and the "what you can do." For example, the 4x90 degree image arrangement—in Myst and Riven there is pgi often the following situation: You turn to the right (on the screen, a new image pushes the old from right to left), but the images do not fit. You see in the pushing process double objects and breaks. An example of the match of visual-virtual situation and the "what you can do"—in some adventure games you find situations like this: You stay on a path beside a meadow or other passable area, but you can't go on it.
Now I work in three ways: as an artist making pictures, as a composer writing music (for string quartets, betrayal piano etc.), and as a computer artist designing my own computer games. In the winter I'll start designing Rhem 2—The Sequel. What came first in betrayal designing Rhem, the story or the environment? At first came the idea of the environment, a world with many paths, bridges, strange buildings and hidden betrayal doors. It was necessary for me to create a independent and logical atmosphere, a world with its own rules. The story of Rhem, the brothers Kales and Zetais, the letter, etc., developed itself during the design process. The story came later but isn't unimportant. What influenced you creatively in the style and look of Rhem? In my mind was the idea of Rhem, and I had to find the best solution to bring it to life and not confusing to visitors.
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