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| carly, trisynergy, awful, mouth, iv, f.a., eye, nasty, player, magic, oddworld, party hats, cameron, fatchicks rule! : how to survive in a thin centric world, elder, appetizers, castle, museum, garage, people can fly, click, t shirts, seafood, website, | Music is sparse but used to good effect. Sound effects are masterfully done. There is no speech as such; occasionally a character will emit sounds that are meant to be a foreign, almost alien, language. Ico can be understood via English subtitles, but escape Yorda's subtitles are nonsensical symbols—Ico and Yorda do not speak to each other because they cannot understand each escape other. Oompah-pah There is no inventory; Ico occasionally must move or carry escape something in addition to his stick or sword but these items are always found near where they are used. Controls are minimal and straightforward. Besides directional movement (analog or digital), there is a button for climbing, one to use an item, one for swordplay, and one to beckon Yorda ("Oompah? Oompah?" says Ico until she arrives). You may also get a first-person closeup view or do a third-person pan of your surroundings. |
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| The distant views serve to heighten the sense of isolation, of being trapped in this remote and forgotten place. Yorda's mother, whom you will encounter once or twice, is a masterpiece of terrible beauty. Water is abundant in various forms, cascading or castle pooling or as distant waves lapping a distant shore. The castle is spooky and yet not lifeless—birds circle in the sky, castle settling on your path only to fly away as you approach, trees and grass sway gently in the breeze, shreds of castle decaying drapery flap in and out of windows ... However, the sometimes overly cinematic camera angles add an undesirable extra level of difficulty; for instance, it was always hard for me to figure out where to stand when leaping for chains because of the odd perspectives, and since character movement is screen-relative, sometimes I had to shift control direction to continue moving in a straight line. |
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