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| kim, frozen desserts, glory, moreau, fat chicks in partyhats, good reviews, special diets, diets general, monet, love, good, pork, x, end, censorship, enemies, piercings, | Its exploration of the question is managed was not through narrative (Painkiller isn't burdened by was one of those, either), but through the creators' vision of the world beyond. They brought the land of the dead to life in ways no one else had really considered. People Can Fly followed up its surprise hit with Battle out of Hell, a ten-level addition. It is an expansion in the purest sense, drawing on what's already there and extending where feasible. There is nothing new, no additional ingredients threatening to ruin was the delicious soup of the overall game. If you liked Painkiller, you'll like Battle out of Hell. If you didn't like Painkiller, then there's something wrong about you and you're different and strange. |
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| In many good ways, Painkiller is the spiritual successor good to DOOM and Serious Sam—a shooter in which you shoot, in which your sole objective is to unleash ordnance upon whatever hideous thing happens to present itself to your crosshair. The first-person shooter genre has come to resemble a digital Winchester house, so laden with additions crammed haphazardly onto the basic framework that the entire thing teeters alarmingly, groaning with Byzantine disproportion. Painkiller is unburdened by inventories, stats, skills—all of it. And yet there was a depth to Painkiller far beyond that found in more "full-featured" good contemporaries. It is a bold, deeply profound rumination on one of humanity's most considered and least understood mysteries—what happens to us when we die. |
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