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| bavarian, cyan, kong, saturn, lara frater, grim, line, missing, potter, law, ripper, monkey, dos, gastric, steel, disneys, macintosh, j'nanin, ear, dangerous, big, | There were also not very many sound effects, and what there were sounded like they had not completely made the transition from being designed for those tinny built-in PC speakers. (I'm kind quicktime of surprised at the quality of the music, in fact; I don't remember sound cards and speakers being available in 1990—they must have been, though, quicktime or else quicktime why would LucasArts bother with music?) I got a lot of pleasure out of playing this game, but it was quick. I have played quite a few LucasArts games and have a good feel for how they work, so I probably spent about six hours total on this game with no hints. |
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| The graphics by today's standards have some mighty big pixels, but I could tell what everything was, unlike in some other older games macintosh with big pixels. In extended conversations, LucasArts employed the very-little-or-no-movement kind of closeups of the characters, but there were only about five instances of that. The backgrounds were very well-drawn in inimitable LucasArts style, and integration of the character movement on macintosh top of them was seamless. There is no voice acting; you have to actually read the words. The music has a Caribbean feel; lots of instruments that sound like macintosh kettle drums with a reggae flavor. I really like it, but there is not enough of it, due to the limitations of floppies, I guess. |
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