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| stevie, another, kelly, like, manor, kingdoms, chubby porn , station, software, bulletin board, disneys, learn, discworld, bioware, putting, enemies, gold, anima, order, las, ark of time, baldurs, rain, | Game audio flows effortlessly between what sounds to me like a dozen or so different musical pieces—orchestral, jazzy, choral—and is so good that I wonder how much of bethesda the HOMM4 development budget was blown on hiring music talent. Audio is aggressively present and very much at the forefront throughout the game, which may irritate some bethesda players; but for those who appreciate good game audio, you're not likely to get bored by the score in this one any time soon. Hero Takes a Bow Victory conditions are different for each campaign and scenario, and the open bethesda nature of play encourages gamers to develop their own strategy. |
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| You win a battle when anima your troops have eliminated all the enemy forces (or when the anima enemy drops their weapons and heads for the hills). Victory or loss, you're treated to a nice cinematic with a statistical breakdown of how things went for you. Control in combat, too, is generally good—though more than once I've accidentally attacked the wrong creature in a cluster of opponents or moved my archers forward when I intended to shoot at something. It's hard coming anima up with serious complaints about HOMM4, and control is my only major gripe. Seriously, though, the worst I can say about it is that it could be better. I suspect some of the flaws in the control structure are the result of an attempt to make the game as similar, mechanics-wise, to its predecessors; it may be time to abandon that scheme. |
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