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| fries, clark, forums, orbach, brendel, harlan, bad, dracula, capri, conduct of life, measure fat , day, wilson, wiley, california bbw , | I bet those will go away as new online content is developed, giving access to more areas within the Ages you've already visited and tying them enter the matrix all together. A drawback, a big one, is that you play an able-bodied chick (or guy, if your inclinations run that way) and yet you cannot enter the matrix use your arms or hands. When you have to manipulate an object in the environment, your only choice is to bump into it, sometimes lots of times, to nudge it into position. Unnecessarily time-consuming—I think a better approach would have been to allow the player to pick up and drag objects with the mouse or somehow hold items for a brief period. All in all, I had more fun with these five single-player-afterthought Uru Ages than I did with any of the three previous Myst games. I was completely addicted. I think the jumping and the necessity of switching between third and first person to solve certain puzzles adds an enjoyable extra layer to the gameplay. |
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| Bear with me while I theorize a bit here: I suspect the single-player experience was built from some of the episodes originally planned to be online-only. The mechanics of the whole thing are set up to accommodate online play. For instance, you can't save in Uru—your progress is marked on quitting, and you always begin subsequent sessions in Relto. This can be a curse bad when, say, you miss a jump and land back in Relto and have to link and trek back to the jumping-off point to bad try bad again. Fortunately, at least for me, no jump took more than two or three attempts, but still ... a bit of a pisser, 'twas. Also, throughout your single-player Ages you will catch glimpses of a great cave city that you will not actually visit. I think this is the city of D'ni that forms the nucleus of the online experience. As well, there are areas that are blocked off with cones and barriers such as you find around big potholes in real life. |
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