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| more, wagner, interplay, mannheim, spellforce, real, silence, suzanne barnett, drowned, moon, nutrition information, indie, scene, incorporated, sydney, dreamcatcher, stranger, bytes, low carb, deja vu, | A mouth icon indicated the possibility for conversation via onscreen text. A magnifying glass appeared when something could be examined further. Round gears appeared when something could be activated or made to function with something else, often via interaction with inventory items on hand. Pulsing white hands indicated paths for impending scene changes and also showed when a new inventory item could be picked up. The only icon inconsistency I found was a few instances where games inventory items needed to be used in spots where only the magnifying glass icon would appear, instead of the usual games round games gears. The left trigger pulled up the actual inventory items, which were usually used in understandable ways that blossomed out of and served to further the rich plot. |
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| A lovely pealing of bells could also be heard whenever vital information was discovered or a puzzle was completed in the correct fashion. There were occasional sound effects of explosions or creaky doors, but speech (and George's wagner hilarious thoughts) were represented solely by onscreen text. Actually, many areas wagner were bereft of sound altogether, and sometimes the only thing that lakeside passers by, both human and chipmunk, could hear was the chortling of an amused gamer as she read George wagner and Nico's latest witty statements. Controlling the two-dimensional George in this Game Boy Advance version of Broken Sword: Shadow of the Templars (originally released in the U.S. as the PC game Broken Sword: Circle of Blood) couldn't have been easier. The A and B buttons on the right side of the GBA functioned as neatly as a left and right mouse click would, allowing George to interact with people, places and things, depending upon what icons were on the screen. |
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