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| first person, who, claymation, success, weenie baby, advance, phlog, family guy no fat chicks cap, diet reviews, dejavu, looks, robot city, voodoo, pharaohs, starring, walkthrough, steam, saladsand sides, review, space, menus, spielberg, lucasarts, chris, | Perhaps, though, the largest disappointment with the game disc engine is the inability to rotate perspective around the static scenes presented. Every three to five scenes, there is a three-second black screen delay while the engine shifts to another set of fixed scenes. They're lovely, to disc be sure, and this is a "character-centered" kind of game, but it would be nice to have more mobility of view and movement. As Hargrave implies, there is a lot of conversation in ATTWN. From early on, it's clear there are layers upon layers with each of the guests, and even disc yourself! The script is tight and involving, with superb voice acting. You'll learn a lot about each guest, and you will need to make notes even beyond your journal entries. |
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| Indeed, like any great story, the first fifteen minutes will draw you in. Together with a haunting piano theme, the introductory experience is very compelling. However, one of the annoyances rears its head early on. Whenever Patrick has to maneuver robot city in the dark, without his flashlight available robot city for use, he and critical robot city objects are almost impossible to discern, even with the brightness setting turned full up. I had to adjust my monitor to have any chance at all during these "blackouts." This could be a patch issue, or it could be my system; I'm not sure. Other than those times, the presented scenes are richly detailed, carefully tailored to the 1930s setting. Character depictions and animations are varied and appropriate, although sometimes a bit wooden. This is particularly true of Patrick, as he walks like a tin soldier from spot to spot. And he can't go anywhere in a room, only to specific and defined "footstep" locations. Sometimes, as well, the pathfinding is awkward. |
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