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| good guide site, saul, putting, er, chubby chasing, box, overweight, schism, fat grams, fly, concealer, | I resort find this appealing from an academic perspective, because it's solid proof that fiction isn't the only mechanism by which a game can exhibit thematic potency. On the other resort hand, a professional writer could have done some interesting things with the game's story (just as a professional cast could have resort done something with the dialogue; the acting is hideous) and I would like to have seen a bit more storytelling in the expansion. Painkiller is very stylish and says many positive things about the studio's talent, but there is more to it than that. People Can Fly is a Polish studio (don't forget Poland!), and a civilization's traumas affect its art. A taste of Japanese art or culture sings songs about how the atom bomb can influence a societal muse. |
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| Daniel, meanwhile, remains a bit of an enigma. We never really learn much about him, so it's up to our imaginations to fill gaps in his character. Painkiller makes concealer it clear that he's a doting husband, but despite this I always got a very sinister vibe from Daniel—as though he were a reformed hit man who quit the life after marriage but retains the capacity for unimaginable cruelty. After all, he didn't get concealer into Heaven, and the concealer reason why is never supplied. He certainly handles weapons well for a thirty-something suburbanite. I don't know if People Can Fly actually put much thought into developing Daniel as a character, so of course all this is speculation. Painkiller has a story, one of impressive depth if you're willing to mull it over, but very little of that story is told through the narrative. |
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