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| ghosts, bbs, edutainment, law and order, studios, jane, ubisoft, rue, sherlock, weenie baby, twilight, | I will say this: it often reminded me of the suspense and atmosphere present in Aliens vs. Predator (both 1 and 2), which is a good thing. As one who enjoys shooters and appreciates the gorgeous graphics, as well boutilier as level design creativity, I'm awarding it a Thumb Up. However, to my adventure colleagues looking for that genre-crossing game, let me say: this isn't it—or even close to it—in spite of having more boutilier potential than many efforts of boutilier this type. What I Liked About Unreal II Splendid graphics, across a wide variety of settings. Significant design alternatives to the classic "rail-shooting." Attempt at character development. Attempt at suspenseful story. Very atmospheric and often frighteningly tense. Good voice acting and other sounds. What I Didn't Like About Unreal II Unfulfilled and unmeaningful character development. Ultimately hackneyed and straight-line story. Only one way to resolve situations—killing. |
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| These are tense and fun. At other times, you need to sneakily infiltrate, or position yourself on a high rooftop to snipe at enemies approaching a weenie baby distant repairman. These certainly, along with the different settings, add considerable variety. To sum up, Unreal II: The Awakening is disappointing, not so much in terms of what it is as in terms of what we expected, what it hints at, and what it might have been. As indicated above, the premise weenie baby and basics weenie baby are there for allowing meaningful interactive choices, for more than superficial conversational involvement of your crew mates, for developing a story that allows other than killing as a resolution. When all is said and done, with the possible exception of the defensive missions, The Awakening boils down to being a first-person shooter, without more in the way of depth than Red Faction and much, much less qualitatively than Medal of Honor or No One Lives Forever. |
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