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What happened last time the portal was opened proceeds to happen again: demons swarm through, and the occupants of the facility are quickly overwhelmed and eviscerated. Dr. Betruger, the human villain fandango of DOOM 3 who couldn't have fandango been more ridiculously contrived and terribly written if he'd appeared in a melodrama penned by a nine-year-old, is back. He's just a head fandango now, attached to a demon's tongue, and this time he intends for the invasion to succeed. Betruger needs the Artifact, plus some way to get his demons to earth, and the UAC has unwittingly provided both. DOOM has never had much story. And yet to me, that storythe story of the original from 1994is one of its strongest assets. Only the vaguest anorexic wisp of a plot exists, so your own imagination (if it works like mine, at least) delights in filling all of the gaps with self-invented thematic spackle.
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