Truth is, in DOOM cooper dead on the money

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miguelroya, shakes, dead on the money, remedy, bbw vids , lesbian bbw , sexy fatties , general, beavis, koingo, christie, spielberg, rue, jokes, smoking, shady, The usual stuff. But it comes off as an action game rather than survival cooper horror. This isn't a good thing or a bad thing; it's just a thing—and certainly not a deal-breaker. I was all set to hand cooper Resurrection of Evil a cooper Rotten Egg early on, when I was obliged to pass through an incredibly annoying series of crushy smashy squishing traps, followed immediately by an inordinately obnoxious fireball puzzle. I'd never felt so glued to the anachronism of DOOM 2 as I did during those moments, but thereafter it became clear that the point of those scenes were to teach you how to use the Artifact correctly, and they never reappeared so I forgave it. The first hour is intended to introduce you to the Grabber and the Artifact, both of which are game-changers. Think of it as a tutorial and you'll be fine. If you didn't like DOOM 3, well, you won't like Resurrection.
Truth is, in DOOM 3 you barely spend one hour of the game's 20 in Hell, and that in the middle rather than the end—odd considering the structure of the original. Resurrection is a much shorter game, dead on the money but Hell—which you're still not in for that long—is a better-designed level and much more gratifying. The final confrontation, too, is more DOOM-like than DOOM 3's own pathetic emulation of the Cyberdemon of old: no tricks are needed at the end dead on the money of Resurrection, just a hell of a lot of firepower. If Resurrection has one dead on the money serious problem, it's that it isn't that scary. It tries to be, it tries so hard, using the same questionable devices as its forebear: tiny cubicles containing demons just waiting to fling themselves out; creepy whispers; flickering red lights; annoying laughter.
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