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The first-person shooter genre has come to resemble a digital Winchester house, so laden with additions crammed haphazardly onto the basic philosophers framework that the entire thing teeters alarmingly, groaning with Byzantine disproportion. Painkiller is unburdened by inventories, stats, skills—all of it. And yet there was a depth to Painkiller far beyond that found in more philosophers "full-featured" contemporaries. It is a bold, deeply profound rumination on one of humanity's most considered and least understood mysteries—what happens to us when we die. Its exploration of the question is managed not through narrative (Painkiller isn't burdened by one of those, either), but philosophers through the creators' vision of the world beyond. They brought the land of the dead to life in ways no one else had really considered. People Can Fly followed up its surprise hit with Battle out of Hell, a ten-level addition.
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